


The first big event I attended, when I was a teenager, was a Blink-182 show. The intense adrenaline I felt was not due to Mark Hoppus's jump or Travis's crash, but to the crowd, carried away by those vibrations. From then on, I focused on events that capture that same feeling. Every live production needs a team able to build emotions.
I started working in show business in 2014 as a production assistant for gigs. Music events gave me the knowledge to manage a live event, and my family's hardware store improved my technical skills for setting up. In 2016, a specialization in multimedia production also took me onto TV sets. Today I use my experience to lead new professionals in the production area.
Best
projects
No set-up has ever been as beautiful, and no stage as exciting, as coming home and telling the story. No role is as important as hearing: "I couldn't have done it without you."



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